Ludovic Chauwin is the Head registrar of the City’s Museums of Strasbourg. He currently manages the Registrar’s Office and supervise the Storage facility project.

Before coming to Strasbourg in 2008, Ludovic worked as the Head registrar for the Lille Art Museum for twelve years. He is graduate of the Preventive Heritage Conservation Master from the Paris-Sorbonne university.

Founding member of the French Artwork Registrars Association (AFROA), He was vice-president of AFROA (French association of Registrars) for 6 years.

He is chairman of the ERC Organizing Committee

Véronique de Alzua is Head Registrar at Mudam Luxembourg, Musée d’Art Moderne Grand-Duc Jean since 2008 and is working in the field of exhibition production and preventive conservation. She works with managing exhibitions, artworks production, incoming loans and touring international projects.

She has previously worked during 12 years at the Frac (Fonds Régional d’Art Contemporain) Nord – Pas de Calais as collection and exhibition registrar, where she set up the storage and conservation specification for the future new building.

Véronique holds a Master degree in preventive heritage conservation, and has qualifications in information sciences and artistic management projects.

She is also teacher at the Ecole Supérieure des Beaux Arts de Nîmes as well as consultant and trainer for various organizations.

Rachel Beaujean-Deschamps is deputy manager of the Registrar’s Office at Musée de Cluny since 2013, more particularly in charge of loans, exhibitions in situ and outgoing exhibitions.

After studying History, Art History, Museology and Preventive Conservation, she worked in France and in Asia, notably at the Islamic Art Department and Exhibitions Service of Musée du Louvre and then at Conservation Department of National Archives.

A long-time member of AFROA (French Artwork Registrars Association), she was member of the Board for several years and treasurer for five years.

Museum and exhibitions sales manager at LP ART – France, Sylvie is working in the fine art shipping industry for more than 25 years now.

She, during her studies, did internships in art galleries and museums (Sainsbury Center for Visual Art & Centre Pompidou) in England and France.

Through the different fine art shipping companies she worked at (IAT, MONIN, CROWN FA and now LPART), she built so many estimates to transport exhibitions all over the world, that Sylvie knows many of the actors of this sector and is the witness of changes linked to a market in constant grow.

She participated to many conventions since 1995 like ARCS & ERC as well as fine art shipping companies’ conventions, plus participations to CIPAC cessions given to registrars in Paris.

Attending the first ERC convention in Paris, so many years ago, that was an evidence for Sylvie to join ERC comittee and be part of the organisation for this Strasbourg convention.

Marie Buisson studied literature and art history at the University of Lille, then obtained a Master degree in artworks management from the University of Amiens in 2014.

After having worked successively at the Centre Pompidou and the LaM Lille Art Museum, she joined the Collection Lambert in Avignon where she supported the museum in its activities of conservation and exhibition.

Following various experiences within other structures of contemporary art (festival, museums and art centre), she also worked in the framing of artworks in a workshop, she then held the position of collection registrar at the museums of Strasbourg. Since 2019, she is the exhibition registrar at the MUDAM Luxembourg, Musée d’Art Moderne Grand-Duc Jean, where she works on monographic and collective exhibitions devoted to national and international artists of the 20th and 21st centuries.

In addition to her professional activities, Marie also carries out research in contemporary art, focused on the promotion of ephemeral works within museum institutions.